"describing a bit of the premises of right hand project and how after years lost trying to handle of my intellectual proliferation on notebooks first and using wearable computers later i finally decided to break up the recording starting by photographing my right hand as a way to bookmark my daily existence"
"talking about the rules i have adopted to photograph the objects i use and reflecting how these rules unlocked an otherwise rigid and conservative environment enabling me to take a step further in becoming self-sufficient especially while living in sweden growing my own food and fixing my own cabin"
"highlighting how generally already in our modern life we have to accomplish all sort of procedures before we can actually accomplish a task and underlining how the extra procedure i added to photograph my right hand is actually a way to dismiss a life as part of the megamachine controlling our civilization and to rather enforce my own ecology by also taking care of my immediate surrounding and my family"
"giving some examples of the source of inspirations for this photographic work as well as discussing the importance of the use of the hand as the primary characteristic that possibly turned humans to be intelligent and observing that the more automation will replace our manuality the more we will turn back into some sort of animals also observing how by going back to our manuality instead all the governments and laws that have come in place to regulate the use of non-manual technologies can thus whither and with it also the ecological disasters that they generate"
"getting in a polemic about today's audience too much spoiled by the culture industry and all its persuasive fast-food content preventing people from getting into even the mood of exploring my photographic work and recognizing how perhaps only these people trying to live a life autonomous from the system could be excited by it"
"talking more about how people generally get quickly used to my camera and how the process was never successful as it was never considered to benefit society but in reality discussing my work as the very first step to conceive a non-hierarchical and rural and therefore ecological society"
"discussing how it did occur to loose some data which was later retrieved and also discussing how it happened that i forgot to recharge my batteries and had to go to a shop to get new ones but in general using this to discuss how i try to use my equipment until it lasts and by doing so i do not contribute to the capital system which wants the costumers to continuously upgrade their products nor i contribute in general to any institution or company as my project made me grow most sick about power and/or money thirsty people"
"listing the few times i lost my camera and how either way i am used to keep it dirty and from there philosophizing on how generally speaking i am never too much considered as a professional artist but because of it i can live my organic life and feel content and mentally healthy compared to the people around me all engaged in their money making and career making professions so much in need for psychiatric treatments"
"discussing how my project irritates not so much normal people as for example in the public sphere such as the changing room of a swimming pool where they could be threatened to be photographed naked although i am most careful not to do so and either way the resulting photos are too small to identify much in the background but making a point that the ones that are bothered are those who are afraid of having their capital compromise such as show owners"
"talking about my exhibits in rather important museum around the world but how soon it became pointless to exhibit more with the height of the wall of these museums being too low and either way feeling disappointed about only showing one of my works thus becoming some sort of nice package for curators to use finally opting to build my own museum with all my works but by doing so losing whole my reputation"
"giving an account of my relation with the scientific community and how it suddenly turned against me conceiving me as some sort of contributor to the new data industry while i in fact only strive to conduct my simple and organic life"
"presenting how i wish this work to ultimately shown and how non-linear it should be read generally also discussing how ultimately my work has shown something machines will never quite be able to achieve"
"making a good point about my dream diary in describing how to me dreams are generated from clues and clues are retained by the human subconsciou because they were so important for our primitive survival also discussing how modern technology burns the dream world while offering a second and surrogate nature"
"speculating on how i have very many dreams thanks to the primordial nature in which i grew up and warning on how increasingly gentrified environments have been killing my imagination and how my discipline is that of a partisan of life rather than a soldier of corporations or nations"
"going more in details on when exactly do i dream and of my sleeping patterns also talking about how i use ancient art of memory techniques to remember my dreams and how the use of those have actually improved my imagination and how they go right against the modern scientific method that has brought the world and humanity on the brink of self-destruction advocating to replace them back to the former"
"describing how tedious the process of writing my dreams down was at the beginning when i was still used to write in actual booklets and in italian later also making it a point that my dreams got a bit boring but due to the fact that i chose to live an ordinary life not as a middle class person but rather as one who tries to live in harmony with his imminent ecology such as my family"
"in essence describing how yes the data i capture don't stand a chance admits all the more polished yet pretentious data an individual faces but it is a big chunk of authentic nature which could heal humans in this respect comparing myself with all the other anarchists explorers who came to discover how communities in remote areas of the world lived in perfect harmony finding myself the explorer of the only one nature left that is our inner human nature"
"discussing how only because of at times having some erotic dreams i was forced to remove my project from the internet and had to hide when updating it getting eventually most depressed and ultimately discussing how thanks to being able to manifest my full self through my project i have grown into a complete human who does not need any of the therapies or sedatives the system gives to administrate its artificial dreams to the people"
"making a point on how entertainment like the so popular tv-series everyone watch as just a bad quality substitute for dreaming and that one should turn on the television within or just seek for more high quality entertainment like films with a sort of catharsis to it explaining how i also wish to achieve it with my project"
"being quite frank in explaining how harsh and traumatic my childhood was and how the cultivating of my project has helped me though it in fact giving an almost complete peace of mind pitying mostly other people so much in need for medicament and therapy and always never settled with themselves possibly due to their partaking in the hierarchical and competitive system governing our modern society"
"making clear how my life is pretty much settle into a small and cute reality and how despite that i keep on evolving and feeling content about the ecology i was able to create with my dreams becoming a language over time which along the other languages i generate can disclose the key to life itself not in the scientific sense but in a more holistic one"
"discussing how came to realize through the years the worthlessness of my effort to keep up with my career as an artist shifting with time to a more local approach which could in fact benefit the community if it wasn't that the community is not autonomous and it is governed from above but nonetheless comparing my work to a tree getting bigger and bigger but at the same time more and more uselessness for the capitalist system and more and more useful for those who has learned to stay out of it"
"talking about how in my dreams i feel i am pretty much representing not myself but the hyper stimulating artificial environment in which i am living and also talking on how by investing in my subconsciou my consciousness gets automatically more sane unlike that of my contemporaries so much lacking any persistent relation with their inner selves and in turn so much in need for therapy "
"presenting the idea of a cathedral-like building where the book of dreams are positioned on the very altar not as a religious dogma to be shouted on the crowd but as very private material that could only be discussed otherwise in a confessional booth coming to conclude that the whole exhibition set up is like a jungle with many different voices and stimulus wanting to bring the visitor in touch with such a nature and away from the orchestrated and centrally governed civilized life"
"discussing how my tracking of songs is executed and also providing a meaning for it not as something to be proud of but as a way to be aware of a mainstream culture industry pumping songs on the people recovering in my own little world the songs that oppressed people used to sing against the system"
"unfolding my initial aspiration as a poet and seeing how by imposing my own rules and my own metric i can prosper in my organic life and fill myself and my imminent ecology with meanings perceiving however how society following up the rules that were imposed to them by governments or institutions turns most empty and deprived of their humanity and on the verge to self-destruction"
"giving an account on how this musical work started in sweden and how touched i was to the popular music heritage there so much reflecting the rustic life i was learning to live until swdwn turned overnight completely capitalist and profit oriented devastating the landscape and breaking my heart to the point i had to live and find a more remote wilderness ironically back in my native alps"
"going further in describing m bad relation with noise also in thinking how all the noise of bombs my ancestors had to witness might have encrypted in my genes as sort of despise for it trying in the end to promote a more local type of music that does not come from the top down as all music today but is rooted in local environments and can actually make the blossom and alive"
"insisting on the concept that no matter whether i am in the tropical jungle or in a scandinavian forest all the world population is equally affected by the culture industry and it is therefore better not to seek to study remote population under this new regime but to live a normal life and conduct a more auto-ethnographic type of reasearch which in the case of my songs record result into a giant composition with a lot to tell in terms of the transformation time has brought about"
"recounting my beautiful experience in china where music was sang among people and by the people and reflecting on the western culture unable to find that human dimension but rather burning that dimension with a more top down and mainstream approach only boosting the so much harmful capitalism"
"thinking out loud on how spontaneous my children and i were in just taking songs and evolving them in their lyrics and based on this reflection criticizing the modern culture industry that has completely blocked this project and only wishes to elevate certain musicians and make profit with their songs quickly saturating all possible songs that can be invented"
"telling how attracted to folk music i am and how i can stumble upon it watching a movie or reading a book and i then try to memorize it and read about a particular song and then also sing it to my children describing how i can be in control of my emotions but can release them through certain songs especially a lot of nostalgic feelings for lost people"
"talking about how difficult it could be to record songs at times and how i have to resort to a technique of memorizing he title to annotate them when i get free but generally also talking about how i managed to keep cool in general with all the tasks i have to take care of and how i keep my project as more of a background task focusing mostly on life itself"
"philosophizing about the death of songs and how thanks to having a mission in life i have been able to reacquire a human experience and a struggle and a compassion through which i could compose myself a song that in its pointing at a more human future would mark the rebirth of music"
"pointing out how over the years i have developed a craftsmanship but how now the politics of the digital industry are forcing artisans like me to subscribe to them and give up their small laboratories to become part of a factory of automated tasks and resisting in my own position of a craftsman imagining how the lifelong composition i have created does in fact wake up the public so much sedated by the artificially engineered cultural content"
"getting a further insight on the ultimate exhibition as some sort of deus ex machina challenging the highly predictable and alienating machine running our reality but seeing that not as the extreme act of an individualist but as an act in view of a fully egalitarian and free society where everyone is even encouraged to keep up a dialogue with nature and from there fully manifest it"